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CALL ME IZZY means well

Gwen Orel - July 1, 2025

JUST IN TIME is a great time

STRANGER THINGS fills your eyes

SMASH… crashes and burns

THE PICTURE OF DORIAN GRAY snatches at your soul

Enda Walsh’s ‘Arlington’ leaves an aftertaste

Gwen Orel - May 17, 2017

Enter Enda Walsh’s “Rooms” for an interesting hour of introspection

Alice Farrell-Pearlman - May 16, 2017

Tribeca Film Festival: The Lovers is a Screwball Valentine

Suze - May 10, 2017

Tribeca Film Festival: ‘The Public Image is Rotten’

Michael Fitzpatrick - May 7, 2017

Tribeca Film Festival: ‘Pilgrimage’

Michael Fitzpatrick - May 1, 2017

Tribeca Film Festival: The strain in Spain stays mainly in the...

Suze - April 29, 2017

‘Love After Love’ at Tribeca Film Festival 2017

Alice Farrell-Pearlman - April 28, 2017

Podcast #38: Wils Wilson on ‘The Strange Undoing of Prudencia Hart;’...

Gwen Orel - April 22, 2017

‘Emerald City’ – A Cinematic Gem That May Speak for a...

Michael Fitzpatrick - April 3, 2017

‘Emperor Jones’ review: stay out of the woods

Gwen Orel - March 19, 2017

When Irish eyes are rolling… (Hail the Unnamed Irishman)

Gwen Orel - March 16, 2017

Sephira cuts a rug

Erin Roll - March 16, 2017

‘The Penitent’ is not absolved

Gwen Orel - March 12, 2017

Lúnasa and Karan Casey at Carnegie’s Zankel Hall – Friday March...

Alice Farrell-Pearlman - March 6, 2017

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