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CALL ME IZZY means well

Gwen Orel - July 1, 2025

JUST IN TIME is a great time

STRANGER THINGS fills your eyes

SMASH… crashes and burns

THE PICTURE OF DORIAN GRAY snatches at your soul

Podcast #41: ‘Find Your Way Home’ and ‘The Journey’

Gwen Orel - July 25, 2017

Enda Walsh’s ‘Rooms’ need space to grow

newyorkirisharts - July 19, 2017

Review: Sinking Ship’s ‘A Hunger Artist’ feeds the soul

Gwen Orel - June 24, 2017

Podcast #39: T’he Emperor Jones’ and ‘Rebel in the Soul’

Gwen Orel - May 18, 2017

Enda Walsh’s ‘Arlington’ leaves an aftertaste

Gwen Orel - May 17, 2017

Enter Enda Walsh’s “Rooms” for an interesting hour of introspection

Alice Farrell-Pearlman - May 16, 2017

Podcast #38: Wils Wilson on ‘The Strange Undoing of Prudencia Hart;’...

Gwen Orel - April 22, 2017

‘Emperor Jones’ review: stay out of the woods

Gwen Orel - March 19, 2017

‘The Penitent’ is not absolved

Gwen Orel - March 12, 2017

‘If I Forget’ asks when does history predict the future?

Gwen Orel - February 27, 2017

‘The Present’: a small gift inside a big box

Gwen Orel - February 22, 2017

All the world’s a cell: Phyllida Lloyd’s ‘The Tempest’ at St....

Gwen Orel - February 15, 2017

Staged reading of ‘The Dead’

Gwen Orel - January 28, 2017

Laoisa Sexton brings her new play “The Pigeon in the Taj...

Alice Farrell-Pearlman - December 6, 2016

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